Coverart for item
The Resource Music, cognition, and computerized sound : an introduction to psychoacoustics, edited by Perry R. Cook, (electronic resource)

Music, cognition, and computerized sound : an introduction to psychoacoustics, edited by Perry R. Cook, (electronic resource)

Label
Music, cognition, and computerized sound : an introduction to psychoacoustics
Title
Music, cognition, and computerized sound
Title remainder
an introduction to psychoacoustics
Statement of responsibility
edited by Perry R. Cook
Contributor
Subject
Genre
Language
eng
Summary
"How hearing works and how the brain processes sounds entering the ear to provide the listener with useful information are of great interest to psychologists, cognitive scientists, and musicians. However, while a number of books have concentrated on individual aspects of this field, known as psychoacoustics, there has been no comprehensive introductory coverage of the multiple topics encompassed under the term. Music, Cognition, and Computerized Sound is the first book to provide that coverage, and it does so via a unique and useful approach."--BOOK JACKET
Cataloging source
N$T
Dewey number
781/.11
Illustrations
illustrations
Index
index present
LC call number
ML3805
LC item number
.M8814 1999eb
Literary form
non fiction
Nature of contents
  • standards specifications
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Cook, Perry R
http://library.link/vocab/subjectName
  • Music
  • Psychoacoustics
  • Music
Label
Music, cognition, and computerized sound : an introduction to psychoacoustics, edited by Perry R. Cook, (electronic resource)
Link
http://www.netlibrary.com.ezproxy.lonestar.edu/urlapi.asp?action=summary&v=1&bookid=9247
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • by Roger Shepard
  • 4.
  • Sound waves and sine waves
  • by John Pierce
  • 5.
  • Introduction to pitch perception
  • by John Pierce
  • 6.
  • What is loudness?
  • by Max Mathews
  • 1.
  • 7.
  • Introduction to timbre
  • by Max Mathews
  • 8.
  • Hearing in time and space
  • by John Pierce
  • 9.
  • Voice physics and neurology
  • by Perry R. Cook
  • 10.
  • The ear and how it works
  • Stream segregation and ambiguity in audition
  • by Roger Shepard
  • 11.
  • Formant peaks and spectral valleys
  • by Perry R. Cook
  • 12.
  • Articulation in speech and sound
  • by Perry R. Cook
  • 13.
  • Pitch perception and measurement
  • by Max Mathews
  • by Roger Shepard
  • 14.
  • Consonance and scales
  • by John Pierce
  • 15.
  • Tonal structure and scales
  • by Roger Shepard
  • 16.
  • Pitch, periodicity, and noise in the voice
  • by Perry R. Cook
  • 2.
  • 17.
  • Memory for musical attributes
  • by Daniel J. Levitin
  • 18.
  • Haptics
  • by Brent Gillespie
  • 19.
  • Haptics in manipulation
  • by Brent Gillespie
  • 20.
  • The auditory brain
  • Perceptual fusion and auditory perspective
  • by John Chowning
  • 21.
  • Passive nonlinearities in acoustics
  • by John Pierce
  • 22.
  • Storage and reproduction of music
  • by John Pierce
  • 23.
  • Experimental design in psychoacoustic research
  • by Max Mathews
  • by Daniel J. Levitin
  • 3.
  • Cognitive psychology and music
Control code
ocm42922503
Dimensions
unknown
Extent
1 online resource (xi, 372 p.)
Form of item
online
Isbn
9780585070346
Isbn Type
(electronic bk.)
Other physical details
ill.
Specific material designation
remote
System control number
(Sirsi) 236743
Label
Music, cognition, and computerized sound : an introduction to psychoacoustics, edited by Perry R. Cook, (electronic resource)
Link
http://www.netlibrary.com.ezproxy.lonestar.edu/urlapi.asp?action=summary&v=1&bookid=9247
Publication
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • by Roger Shepard
  • 4.
  • Sound waves and sine waves
  • by John Pierce
  • 5.
  • Introduction to pitch perception
  • by John Pierce
  • 6.
  • What is loudness?
  • by Max Mathews
  • 1.
  • 7.
  • Introduction to timbre
  • by Max Mathews
  • 8.
  • Hearing in time and space
  • by John Pierce
  • 9.
  • Voice physics and neurology
  • by Perry R. Cook
  • 10.
  • The ear and how it works
  • Stream segregation and ambiguity in audition
  • by Roger Shepard
  • 11.
  • Formant peaks and spectral valleys
  • by Perry R. Cook
  • 12.
  • Articulation in speech and sound
  • by Perry R. Cook
  • 13.
  • Pitch perception and measurement
  • by Max Mathews
  • by Roger Shepard
  • 14.
  • Consonance and scales
  • by John Pierce
  • 15.
  • Tonal structure and scales
  • by Roger Shepard
  • 16.
  • Pitch, periodicity, and noise in the voice
  • by Perry R. Cook
  • 2.
  • 17.
  • Memory for musical attributes
  • by Daniel J. Levitin
  • 18.
  • Haptics
  • by Brent Gillespie
  • 19.
  • Haptics in manipulation
  • by Brent Gillespie
  • 20.
  • The auditory brain
  • Perceptual fusion and auditory perspective
  • by John Chowning
  • 21.
  • Passive nonlinearities in acoustics
  • by John Pierce
  • 22.
  • Storage and reproduction of music
  • by John Pierce
  • 23.
  • Experimental design in psychoacoustic research
  • by Max Mathews
  • by Daniel J. Levitin
  • 3.
  • Cognitive psychology and music
Control code
ocm42922503
Dimensions
unknown
Extent
1 online resource (xi, 372 p.)
Form of item
online
Isbn
9780585070346
Isbn Type
(electronic bk.)
Other physical details
ill.
Specific material designation
remote
System control number
(Sirsi) 236743

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